+44 (0)1428 653727 sales@johnnicholsons.com

HEAD OF ISLAMIC & ORIENTAL DEPARTMENT

John Nicholson’s are seeking an experienced specialist for valuing and cataloguing consignments for our monthly auctions. Must have very good knowledge of Islamic and Oriental collectables and artefacts, and also needs to display a portfolio of clients.

  • Rostrum experience preferred but not essential
  • Full time position

Please send your your CV in the first instance to Phil Hildreth.
Email: phil.hildreth@johnnicholsons.com

Please only apply if you have relevant experience
No agencies
 

Valuation Day – 30 April 2025

John Nicholson’s will be holding a valuation day on Wednesday 30 April at:

Farnham Maltings
Bridge Square
Farnham
Surrey
GU9 7QR

Please bring in your silver, porcelain, jewellery, etc. which we will be glad to value and put into our forthcoming sales (if the item itself is too big to bring in, please bring a good image of it on a smartphone or tablet).

For any enquiries, please contact us on 01428 653737 or sales@johnnicholsons.com

 

What are the strangest lots to come up for auction in the weird and wonderful world of antiques?

What’s the strangest thing you have ever seen at auction? I was asked the other day. A good question, but difficult to answer after several decades in the job.

Thinking back, though, several items stand out – not necessarily ones that passed through my hands, but nevertheless memorable.

The New Patent Exploding Trench was one. A Great War toy produced briefly by Britains, it involved a wooden and fabric trench loaded with six lead riflemen of the Gloucestershire Regiment. When hit, a specially placed flagstaff set off a cap, which made a loud report, shaking the trench and “killing” the soldiers. Why a British factory should have put British soldiers rather than the enemy in the trench is anyone’s guess, but it was a marketing disaster, and the toy was soon withdrawn. The result? A rare collectable that has made a decent four-figure sum in the two or three times it has appeared at auction over the past 20 years.

Perhaps the most chilling thing I have seen was not at auction but at a restoration firm. What looked like a framed piece of parchment turned out to be a collection of tattoos cut from the bodies of French soldiers in the field of Waterloo. Now who would want to buy that?

Almost as chilling – and certainly intriguing – is the Fiji Mermaid. This has its origins among Japanese fishermen, who sewed parts of different animals together to create chimera – in this case the head and arms of a monkey sewn to the body and tail of a fish.

They first came to Western notice after the captain of an American ship, thinking it a real creature, bought one from Japanese sailors in the early 19th century for thousands of dollars. The great American showman PT Barnum displayed it as a curiosity in the 1840s.

As a trip to Wikipedia will attest, Barnum understood how to generate publicity, writing to the newspapers under various pseudonyms on the subject of the Fiji Mermaid and creating a ruse whereby his associate booked into a Philadelphia hotel, secretly showing the creature to the manager, who then insisted on spreading the word and staging a display to a select audience, including journalists.

Probably destroyed in a fire around 20 years later, by then the legend had caught on and many copies were made. Look it up on Google images and see one for yourself.

Each example is usually named after the town in whose museum it now rests.

Beyond the religious, Easter recalls the fabulous works of the inimitable Peter Carl Fabergé

As Easter approaches, it reminds me of one of my favourite dreams: being asked to go through the boxes of a client’s attic to see if anything emerges that might be worth selling and coming across a Fabergé egg.

These jewels are among the most famous luxury items ever produced.

The first of several dozen of these jewel-encrusted eggs (around 70 are thought to have been made of which 61 are known to have survived) was commissioned as an Easter gift for the Tsarina Alexandra Feodorovna by her husband, Tsar Alexander III, in 1885.

The House of Fabergé was established in St Peterburg in 1842, the celebrated eggs being the invention of Peter Carl Fabergé. The first, known as the Hen Egg, is an enamel shell surrounded by a gold band that opens to reveal a golden yolk. That opens too and is found to conceal a golden hen perched on golden straw. Rather like the Russian Babushka dolls, the hen itself then opens to reveal a miniature replica of a diamond Imperial crown and a ruby pendant.

Unfortunately, the crown and ruby pendant have since been lost, but the egg must have created quite a stir when first presented. We know this because such was the Tsarina’s delight that within weeks Fabergé had been awarded a royal warrant.

To make the following orders even more of a surprise, it is thought that Fabergé gave no clue even to the Tsar as to what the eggs would look like. Fabergé himself would oversee the design before handing the creation of the eggs over to a team of craftsmen, whose names have passed down through history as a result.

When Alexander’s son Nicholas II ascended the throne, he continued the tradition of presenting eggs as Easter gifts, both to his own wife, Alexandra Feodorovna, and his mother, the Dowager Empress. In all, they received fifty eggs between them, inspiring further commissions for Fabergé eggs from the Rothschild family and the Duchess of Marlborough, among others.

The Russian Revolution of 1917 put an end to the St Petersburg workshop, with the Fabergé family leaving Russia. More than a century on, the eggs sit at the centre of an impressive output of stunning silver, gold and jewelled pieces that continue to change hands at auction for stupendous sums.

I’ll keep my fingers crossed next time I’m asked to rummage through a few old boxes.

 

Collectors still clamour for Royal mementos – our regal heritage has an understandably enduring appeal

Easter Monday falls on April 21 this year. It also happens to be the birthday of our late Queen. Elizabeth II, a reminder, if one was needed, of the rich Royal heritage we enjoy. If there’s one thing we Brits do better than anyone else it is fostering our great Royal tradition, not just with pageantry and our recognition of the symbolic importance of the monarchy, but also in producing all the colourful memorabilia that goes with it.

I still own my 1977 Silver Jubilee mug, a rather tasteful design compared with some others that have emerged down the years, and a healthy market remains for all sorts of rarities, from the Victorian era and beyond – although they go back much further.

When Her Majesty turned 90 in 2016, The Royal Mint unveiled another birthday coin to mark the occasion, while mugs, plates, tea towels and any number of other collectables are already on sale. Various commemorative mugs are already on offer, ranging in price from around £8 to £25.

King Charles III’s Coronation produced another flurry of activity, and in this era of digital payments it was, if anything, even more exciting to see the newly unveiled coins and banknotes featuring His Majesty’s bust.

When it comes to Royal memorabilia – particularly coins and notes – mass production has dampened price rises over the years unless you manage to get your hands on something that has a printing or other error, making it a rarity. The real money is in items with a very personal connection to a royal personage, such as a lock of hair in a locket. Highly personalised Princess Diana memorabilia remains among the most sought after almost 30 years after her tragic death. Who can forget the eye-watering prices raised for her frocks – especially the one in which she danced with John Travolta at the White House (£264,000).

Of particular interest are hand-written letters, especially from the late Princess and particularly if they are linked to historic occasions or shed light on behind-the-scenes lives of the royals.

Even wedding cake makes the grade; £30,000 was paid for a slice of Edward VIII’s wedding cake in 1998, 62 years after the event. Of course his was the marriage that cost him the throne, so it would have been of even more historic importance than perhaps any other.

 

Following your heart and your collecting desire can prove fruitful when it comes to Valentine’s Day

When you consider that chocolates and flowers are the most frequently chosen Valentine gifts, it’s a little surprising that a whole collecting field dedicated to this theme exists. After all, chocolates and flowers don’t last long, so what is there on the vintage and antique front to collect?

The most obvious answer is Valentine’s cards, which date back to the 1600s at least.

At the time these were almost always handmade.

The Museum of London has a collection of more than 1700 Valentine’s cards, but the oldest known printed examples, dating to 1797, can be found in York Castle Museum. Hand-painted and pierced to produce a lace effect, it is decorated with cupids, doves and flowers.

The printer was John Fairburn, of 146, Minories, London, and it was printed with a month to spare on January 12.

Printed around the swags of flowers that frame the design are the words:

Since on this ever Happy day,
All Nature’s full of Love and Play
Yet harmless still if my design,

’Tis but to be your Valentine.

 It captures a moment in time from the devoted Catherine Mossday, writing to the intriguingly anonymous Mr Brown of Dover Place, Kent, Road, London.

The rather frustrated Miss Mossday tells her intended:

As I have repeatedly requested you to come I think you must have some reason for not complying with my request, but as I have something particular to say to you I could wish you make it all agreeable to come on Sunday next without fail and in doing you will oblige your well wisher.

Half a century on from Miss Mossday’s plaintive missive, by mid Victorian times, the Valentine industry in Britain was so huge that it is thought the public spent hundreds of millions of pounds a year on cards and gifts for their loved ones. Today it is well over £1.5 billion in the UK and around $15 billion in the United States – equivalent to around a quarter of the sales for the entire global art market in a year!

Elaborate cards decorated with lace and ribbons – and even some with moving parts – demanded a considerable outlay on the part of the purchaser. Most popular were the ‘marionette’ cards, with their paper dolls with moving limbs, created by Raphael Tuck, who worked under Royal Warrant.

Celebrated artists and illustrators of the day were drafted in to create designs which collectors seek out now, among them children’s author Kate Greenaway.

 

What to look out for in 2025 – how history plays its part in the wonderful field of collecting

At this time of year, collectors’ minds turn to special anniversaries that fall in the coming 12 months that might help boost a particular field of interest – and prices. So, what have we got to look forward to in 2025?

To start with, January 8 would have been the 90th birthday of Elvis Presley, one of the most sought-after figures in the history of music when it comes to collectables. It’s amazing to think that Elvis, who died in August 1977 at the age of 42, has now been dead for longer than he lived.

Just under a month later, on February 6, would have been the 80th birthday of the king of Reggae, Bob Marley, who succumbed to cancer aged just 36 in 1981.

Will there be a boost to items relating to Winston Churchill, who died 60 years ago on January 24? And what about a retrospective for the wonderful March Chagall, who passed on March 28, 1985, 40 years ago, aged 97? Pilgrims still visit his grave in the beautiful town of St Paul de Vence to lay a stone on his tomb.

March 27 is also a day to remember: 400 years since the death of King James I and the accession of King Charles I to the throne.

While Hitler and Pol Pot both have significant anniversaries, they are unlikely to troubles the rostrum, but December 16 marks the 250th anniversary of the birth of Jane Austen, surely a cause for celebration, special events and maybe even a reappearance at auction of rare first editions.

Making his first appearance eight months before Austen on April 23, and so also celebrating a 250th birthday, will be the man who is arguably England’s pre-eminent artist, J.M.W. Turner.

On the sporting front, 2025 will be 50 years since the inaugural Cricket World Cup, which began in the UK on June 7, 1975.

Hollywood is always a rich source for collectors, so expect to see raised interest in all things Spielberg as Jaws marks its 50th year. And can you believe that the Disney classic Lady and The Tramp will turn 70?

For me, the most important anniversary to look out for falls on September 27: 200 years since the first service of locomotive-hauled passenger trains opened between Stockton and Darlington – an innovation that changed the world. Few enthusiasts are as dedicated to their field as those interested in trains. Look out for Hornby, Bassett-Lowke, Märklin and the rest at auction when autumn comes.

The wonderful history of the Christmas greetings card – and what some of them are worth now

A recent change at Christmas time has been the decline of the greetings card. With first class post now £1.65, that is perhaps not surprising, but it is a shame.

We have the United States to thank for the modern image of Father Christmas, or Santa Claus, as they call him. That’s also true of greetings cards, which became popular, initially in the United States in the 1880s, thanks to the development of offset lithography, a form of printing.

Britain picked up on the trend early. Hallmark, one of the biggest names in greetings cards, has been around since almost the start, when savvy British makers saw what was happening in the US and started exporting cheaper folded versions there not long before the First World War.

The first Christmas cards were hand-coloured for Sir Henry Cole, founder of the Victoria & Albert Museum, who ordered 1000 in 1843. They depicted a family raising their charged glasses in a toast above a draped banner carrying the words A Merry Christmas. He used half himself and sold the rest for a shilling apiece.

It’s thought around nine or ten survive, and each is valued at around £10,000 today.

Some of the most sought-after Christmas cards today are those designed by well-known artists of the late Victorian and early 20th century periods. Kate Greenaway, who illustrated many of the most popular children’s books of the 1880s and ’90s is a favourite, as is her great rival at the time, Walter Crane.

Perhaps the most desirable cards, though are the early Hold-to-Light cards depicting Father Christmas, or Santa Claus. These were generally die-cut and got their name because if you held them up to the light, the die-cut parts lit up, creating a glowing Christmas scene.

When first produced in the US, in postcard form, these were the preserve of the wealthy as each could cost as much as a day’s wages for a working man. Nowadays while religious or other scenes can be had for as little as around £20, the pick of the Santa cards can cost £400.

Collectors tend to specialize in subject matter, such as comic cards, or anniversary type, such as birthday or Christmas cards. Condition can matter a great deal. If they are unused and have not been stuck in albums with the accompanying sticky tape. And particular printers, such as De La Rue, also tempt collectors.

PLEASE NOTE – DELIVERIES TO OUTSIDE THE UK

Due to ongoing legislation, our inhouse delivery service is no longer available for items with destinations outside the UK. Independent courier companies can be found on the BUYING page in the DELIVERIES section.

We apologies for any inconvenience.

Antiques and collectables play a role as important relics that bring vital links to heroes of the past

As Remembrance Day falls, it is worth recalling the Imperial War Museum’s remarkable display of Victoria Crosses. The field of campaign medal collecting can serve as a poignant reminder of those who have fallen, the qualities they had and the reasons they were prepared to give their lives in the service of their country.

Every medal counts, but of course it is usually those most rarely awarded – the VCs, MCs, GCs, DFCs, DFMs and CGMs among them – that carry the most extraordinary tales. And that’s what it’s all about in the end.

Materially, the medals themselves are little more than fairly inexpensive metal held up by a bit of ribbon, but what they stand for is what counts  as they provide a physical link to these exceptional characters of the past, much in the way that religious relics have done for so much longer.

This explains why this field of collecting has grown hugely over the past 20 years or so, with prices at auction surging to several hundreds of thousands of pounds for the most sought-after VCs, and private sales rising to well over £1m.

The need to feel the touch of greatness was well illustrated a few years ago when the remains of a grasshopper were discovered trapped in the paint of Vincent Van Gogh’s 1889 picture Olive Trees.

Rather like those gorgeous pieces of amber you occasionally see at auction, which trapped unrecognisable insects sometimes hundreds of millions of years ago as tree sap before fossilising, the discovery created a seemingly direct link to a specific moment in time, almost 130 years on, compressing the years in between so that you could almost see and hear Vincent slapping the paint onto the canvas. This grasshopper was there when he did it.

These direct connections are what many people look for when buying things at auction and explain the huge price differences between artworks described in the catalogue as ‘follower of’ (someone unidentified working in the style of a well-known artist at around the same time), ‘school of’ (a work of the time in the style of the artist), ‘studio of’ (a work from the artist’s studio or closely associated with them), ‘attributed to’ (probably, but not certainly, by the artist) and ‘autograph work’ (categorically by the artist).

In the art world, there is nothing quite like being close enough to touch the hand of the creator.