Jan 28, 2019
One of the best bits of news of the past week is that the antiques trade now has its own museum exhibition, which has opened in the Bowes Museum in Barnard Castle in the Peak District.
SOLD! The Great British Antiques Story, has been developed by Dr Mark Westgarth of the School of Fine Art, History of Art and Cultural Studies at Leeds and will run until May 5.
While the exhibition focuses on the history of dealing rather than auctions, it does so in a way that demonstrates the contribution made by the trade in general to our cultural landscape. The method is to tell the story through a series of objects loaned by museums across the land, exploring the relationship between the art market and museums, which can be the subject of much controversy and discussion these days.
This is incredibly important because the symbiotic relationship between auction house specialists, dealers and museum curators has been central to the development of the best collections now in public institutional hands. For it is the dealers and specialists who often know more about objects, partially because so many pass through their hands, while the curators are often faced with largely static collections and don’t have access to such variety.
Long may this constructive set of relationships continue!
Jan 21, 2019
One of the best things about the picture sales we have in Fernhurst is that they often include first-rate artists who, for one reason or other, have vanished from the public consciousness over the years. It’s a delight and privilege to play a small role in bringing them to bidders’ attention once more, but it also gives me a bit of a thrill to clap eyes on a stunning landscape, marine scene or portrait that has been hidden away, often for decades or longer, and bring it back into the light once more.
For all the amazing talent and inspiration of the Contemporary scene and its conceptual art, I could spend hours looking at the intricate detail and colour tones of Water Williams’ (active 1841-80) rocky river landscape, On the Lledr, which will appear in our January 30 sale. Here is art at its subtle and moving Victorian best.
It may not be a masterpiece by the Pre-Raphaelites, or a striking abstract by the best of the Modern British movement, but for tone and mood, it’s the sort of work that creeps up on you and has the power to entrance. Who are the figures walking along the path, and where are they going? Is that Snowdon in the background?
This is the sort of painting in which you can truly immerse yourself, and there are plenty more of this sort waiting to be discovered out there. Now that’s thrilling.
Jan 15, 2019
It looks just like a scrap of paper, but to some people it is the equivalent of a rather large bank note. Notes, letters, tickets and other ephemera (as they are collectively known) can take on an entirely different perspective when it comes to auctions if they are associated with a particular person or event that has captured the public imagination.
I was reminded of that this week when I read news of a letter dating to 1803 in which King George III revealed his intention to declare war on France. Snapped up for £11,000, it is a wonderful window on history, conveying some idea of the febrile atmosphere alive in England at the time, with fears of a French invasion in the year before Napoleon crowned himself Emperor.
While a letter from a monarch might be an obvious document to tuck away for posterity, other items are less so. Who remembers the 1966 World Cup scrap album, in which you could post stickers of every team player in the world? I had one of those with only one gap, the Uruguayan defender Néstor Gonçalves. I’m not saying its price at auction would be life changing today, but I could kick myself for losing it during a house move.
The lesson? You don’t have to be a hoarder, and a nice de-clutter every now and then can perk up the home, but just take a second look at anything that you might later regret letting go.
Jan 7, 2019
As we head into 2019, what are going to be the significant events of the year from an auction perspective?
The one that immediately springs to mind is the 50th anniversary of the first Moon landing, which took place on July 20, 1969. The market for photographs and other collectables linked to the NASA programme, and particularly the Apollo 8, 11 and 13 missions, has blossomed in recent years, to the point that one leading dealer dedicated his entire stand to the subject at TEFAF Maastricht, the world’s leading art and antiques fair. Expect interest to peak in the June sales.
The world of rock and pop will enjoy a number of major landmarks, but the two stand-outs have to be the 50th anniversary of Woodstock on August 15 and the 50th anniversary of The Beatles’ Abbey Road album release on September 26.
Original Woodstock tickets have always done reasonable business online, but you have to be very careful about fakes. Don’t forget, too, that the tickets were actually printed for the original venue, Wallkill, New York, which rejected it. By the time 50,000 hippies turned up at Woodstock, where a farmer had offered some land as an alternative, it was too late to sort out alternative ticketing, and so the event turned free – a disaster for the organisers.
However, original film footage and photos should see a spike in prices in the earlier part of the year.
Dec 31, 2018
Just before Christmas, I used this column to celebrate the unassailable greatness of the Rolex brand. Now, I want to reveal what, surprisingly, remains a little known fact about another magnificent brand – this time British: Bentley will be marking its centenary in about a fortnight.
As great a luxury marque as ever it was, this astonishing manufacturer started out in Cricklewood of all places, where its founder, W.O. Bentley, set up shop on January 18, 1919, a mere five years before his car won its first Le mans 24-hour race.
W.O. started as an apprentice railway engineer on the Great Northern, even working as fireman on the footplate, shovelling a total of seven tons of coal on one particularly long day.
What really got him started in the car business, though, was a bit of inspiration from a paperweight made of aluminium alloy, the metal he adapted fro use in making pistons for a modified camshaft. Sound too technical? Well it’s what helped him set a number of new records at Brooklands, and the rest is history.
The auction record for a Bentley? £5m paid for the 1929 Birkin Bentley at the Goodwood Festival of Speed in 2012.
Dec 17, 2018
Few possessions tell you more about the owner than a watch, and few watches tell you more about their wearer than a Rolex.
For a man, a watch is generally the one piece of acceptable jewellery whose appearance on the wrist says more about his status, wealth, masculinity and attitude than anything else. A Rolex is the closest most will ever get to owning the trophy boys’ toys of a Ferrari or top-of-the-range boat.
Women covet Rolex watches for just the same status reasons – all this on top of all that precision engineering. Among the top watch brands – Patek Philippe, Breguet, Cartier, Rolex, Bulgari, Longines, Omega… – something about Rolex stands out as the mark of ultimate luxury and achievement.
Because the company understands the power of brand so well, it has also mastered the long-term management and development of Rolex in as precise a manner as the scientific engineering of the watches themselves.
Limited editions are a potential attraction, as well as models with special associations. Can anyone think of any more desirable watch than Hollywood film star Paul Newman’s personal 1968 Rolex Daytona? A $17.75 million price tag for it in October 2017 shows that not many could.
A recent example in Fernhurst was the 1982 stainless steel Gentleman’s Rolex Oyster Perpetual GMT-Master we sold for £12,000, complete with the all-important original box and paperwork.
No wonder Rolex watches are seen as such a handy investment vehicle.
Dec 10, 2018
Our latest Antiquarian Books sale provided an excellent illustration of why proper research is essential for the best outcome in any saleroom.
An inscribed presentation copy of [Charles Dodgson] Lewis Carroll’s Through the Looking Glass, from 1877 carried an inscription that read: “Mr & Mrs Dyer from the Author, Sep. 27/[18]77.”
The question was: who were the Dyers?
While the fact that this was a signed copy clearly added value and its inscription made it even more attractive, the burning question was: were the Dyers merely a casual acquaintance or significant figures in the author’s life? The answer, I’m delighted to say, proved to be the latter.
Our investigations revealed that the Dyers were the couple with whom Caroll took lodgings at 7 Lushington Road, Eastbourne, for his summer holidays. Remaining with them for July to October, 1877, his stay proved to be the first of many there that he undertook for the rest of his life.
Although nominally a vacation, the period provided him with the peace and quiet he needed to work, including on his new theory of voting used to develop a system of proportional representation, which still influences parliament today.
The estimate was £500-800, but this additional nugget of information led to a battle between a bidder on the phone from the USA and another in the room, with the hammer falling at £1100.
As I said, it pays to do your homework.
Dec 3, 2018
As we gear up for our latest set of busy sales in the run-up to Christmas, we are also getting to that time of year when – assuming there is time to stop and grab a breath – I like to take a moment to reflect a little on the past 12 months.
Looking at the auction industry today for fine art and chattels, it’s remarkable how far we have come in the past 20 years. From being a leading light of the local area and a little further afield, we now have a global reach when it comes to bidders, and an international reach when it comes to securing consignments, in great part thanks to the internet.
There’s simply no getting away from the importance of the Web and live online bidding, but what also strikes me is that when it comes to developing specialist knowledge for identifying objects and carrying out cataloguing and valuations, the old ways remain the best.
Speak to many of the managing directors of auction houses today, and they will say the same. Ask them how they started and, for the most part, you will find that they began as teenagers humping round furniture as humble porters before stepping on the first rung of the ladder as a junior cataloguer.
There is no substitute for handling things as they pass through – that’s the bit you simply can’t learn from a computer screen, even today.
Nov 26, 2018
OK, I’ve held off as long as I can but it’s less than a month away now, so as Advent begins on Saturday, I think it’s reasonable to mention the C word. Christmas, as we now know it, is largely the invention of Charles Dickens, thanks to his magnificent 1843 novella, A Christmas Carol, which many credit with reviving interest in the declining traditions of the holiday at the time.
Just as Prince Albert introduced the German tradition of the Christmas Tree, and Coca Cola can take responsibility for the modern image of Father Christmas, so Dickens’ creation coincided with other innovations that become traditions themselves, perhaps none more so than the Christmas card.
Although the first known Yuletide greetings card dates back to the reign of James I, the Victorian tradition began in the same year that A Christmas Carol was written and published. Commissioned by the inventor Sir Henry Cole and Illustrated by John Calcott Horsley, the world’s first commercially produced card depicts a family celebration at the centre, with scenes of charity giving to each side. These were not cheap throwaways. At a shilling each, they were considered expensive and so only a few of the 1000 printed sold.
Needless to say, it is an example of this that holds the world auction record for a Christmas card, with one selling for £20,000 as long ago as 2001.
Nov 19, 2018
Ron English is an American contemporary artist, who is famous for exploring brand imagery and advertising. His website, Popaganda, currently promotes recent shows titled Universal Grin and Delusionville. He certainly looks cutting edge, is clearly successful and seems to know what he is doing.
However, if reports are to be believed, he may be about to make a significant and costly mistake.
In the wake of the media frenzy surrounding Banksy’s shredding of his celebrated work Girl With A Balloon at Sotheby’s, English has spent $730,000 on another Banksy – this time a mural – and has vowed to destroy it by painting it over with whitewash.
English is reported to have bought the piece at auction as a protest against the commercial exploitation of street art. However, he also says that after he has altered it he intends to sell it for $1m. This seems confused thinking at the very least.
Whatever his motives, what English has failed to take into account, as far as I can see, is that while he may have a large following, he is not Banksy. When Banksy shredded his own work, art market experts believe he added to its value by creating a new work as a result, Love is in the Bin. English overpainting a Banksy with whitewash is not the same thing at all, so the $1m is probably a pipedream – not to mention the $730,000 he has just paid out.
