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FINE PAINTING AUCTION 15 NOVEMBER

A good strong sale with two particular Lots flying out the door. Lots 136 & 256 did very well.. the first Lot 136 sold on the phone. Alonzo C Webb (1888-1975) American. An American City Skyline, possibly Chicago, mixed media, signed and dated 1950, 20” x 26”. Estimated at £400-£600, it fetched £3200.  Lot 256 attributed to George Mullins (act.1756-1775) Irish. Study of an Old Man, seated in a Landscape, oil on canvas laid down, signed and dated ‘AD 1772’, Unframed, 26” x 20”.  Estimated at £150-£250, it also went for £3200 to an internet buyer.

The next Paintings auction will be 20th December. Keep an eye on our website for further details.

 

 

 

How to make (a little) money form The Mousetrap

On November 25, 1952 what has since become the world’s longest continuously running play in history opened for the first time at The Ambassadors Theatre in London’s West End. The world premiere of Agatha Christie’s The Mousetrap had taken place just over seven weeks earlier in Nottingham, but it was at The Ambassadors and then, from March 25, 1974, next door at The St Martin’s Theatre, where it continues to this day, that the play has enjoyed it unbroken run.

The production’s first star was Richard Attenborough, whose contractual arrangements meant that the programme billed him as appearing “By arrangement with the Boulting Brothers”, the successful duo who had discovered him and helped make his name in the 1948 film version of Graham Greene’s Brighton Rock and would continue to put him on the screen for the next decade.

The programme also promoted other theatrical productions, including Vivien Leigh and Laurence Olivier in The Sleeping Prince at the Phoenix Theatre and Trevor Howard in The Cherry Orchard at The Lyric, Hammersmith – Halcyon days for theatre indeed!

Occasionally one of these rare debut programmes comes onto the market. The original price was sixpence, or 2½p in new money. Now it is a very achievable £10 or so – still, a reasonable uplift of 40,000% over the intervening 65 years.

FINE ANTIQUE AUCTION 9 NOVEMBER

The Fine Antique auction on the 9 November saw some good results with some surprises. A good set of three lead garden figures, modelled as cherubs emblematic of earth, wind and water, on circular bases. Estimated at £500-700, they fetched £1100.

Estimated at £500-600, the ever popular Clarice Cliff bizarre “forest green” tea set, teapot and cover, milk jug, sugar basin and two cups and saucers went for £1100. A standing bronze from Sir William Hamo Thornycroft RA (1850-1925) British , 129 baluchis, wearing his medals, holding a rifle with bayonet in front of him sold for £5500 with an estimate of £2000-3000.

The clock section did well with a superb rare Moser of Paris brass carriage clock, with eight-day movement, triple dial with month and days, striking on a single bell, stamped Moser A. Paris, no. 9483, stamped on the movement and case, complete with carrying handle. Carrying an estimate of £600-800, it went for £1100. Also, a superb French 19th century gold, diamond and blue enamel bangle, made in France circa. 1890 and estimated at £500-800, sold for £1400.

A rare set of four early Dutch silver candlesticks, estimated at £2500-3000 sold for £3800.

More unusual was an early Fijian whale tooth necklace. Estimated at £500-700, it sold for £1300.

We will be running an auction of collectors’ items on 2 December. Please see the catalogue on our website nearer to the sale.

ORIENTAL AUCTION 8 NOVEMBER

The recent Oriental sale in November saw items selling well. A 19th century framed Chinese kingfisher feather river landscape picture, the frame 33in x 25.5in sold for £4000.

Also, a Chinese famille rose porcelain butterfly vase, the base with a qianlong seal mark, 7.25in wide at widest point & 9.2in high sold for £3000. A good quality Chinese celadon glazed porcelain jar, the base with a yongzheng seal mark, 8.4in wide at widest point & 8.1in high sold for £30. An unusual Chinese yellow glazed oval porcelain bowl & cover, the base with a qianlong seal mark, 10.75in wide including handles & 9.75in high overall sold for £4000. A shallow Chinese jun ware ceramic tripod censer, 5.4in diameter at rim & 1.6in high sold for £2400. A good large 18th/19th century Chinese langyao type porcelain vase, 16.7in high sold for £4000.

From the Japanese selection, an unusual meiji period ivory okimono of a seated woman with a child, possibly Tokyo school, 7.75in high sold for £2000.

The next Oriental sale will be 13 December. Do please keep an eye on our website for the catalogue.

 

 

 

 

 

 

 

 

 

 

 

 

 

Direct links to the artist are what it is all about for collectors

One of my favourite news stories of the past week concerned the discovery, after 128 years, of the remains of a grasshopper, which had been trapped in the paint of Vincent Van Gogh’s 1889 picture Olive Trees.

Rather like those gorgeous pieces of amber you occasionally see at auction, which trapped unrecognisable insects sometimes hundreds of millions of years ago as tree sap before fossilising, the discovery creates a seemingly direct link to a specific moment in time, compressing the years in between so that you can almost see and hear Vincent slapping the paint onto the canvas.

These direct connections are what many people look for when buying things at auction and explain the huge price differences between artworks described in the catalogue as ‘follower of’ (someone unidentified working in the style of a well-known artist at around the same time), ‘school of’ (a work of the time in the style of the artist), ‘studio of’ (a work from the artist’s studio or closely associated with them), ‘attributed to’ (probably, but not certainly, by the artist) and ‘autograph work’ (categorically by the artist).

In the art world, there is nothing quite like being close enough to touch the hand of the creator.

It’s time the wider world got to know CRW Nevinson

I find it extraordinary that so few people outside of the art world have ever heard of CRW Nevinson. Who? I hear you ask: quite simply one of the most accomplished of war artists, whose mechanistic paintings of troops marching to the frontline and etchings conveying the desolation of the trenches are unequalled, to my mind.

As an early exponent of Vorticism, Nevinson’s take on what an exploding shell looked like still has the impact today that it had when first unveiled during the First World War. His depiction of a dead child lying face down in a bomb blasted street is arguably the most moving artistic image to have emerged from the conflict.

Nevinson was also reputedly the first artist to paint the view of the ground from an aeroplane. That he went on to create some of the most memorable images of New York in 1919 and beyond – see his etching ‘Looking through the Brooklyn Bridge’ for starters – is testament that here was no one-hit wonder.

Now A Dawn from 1914, one his oil paintings, is set to come to auction on November 21 with expectations of up to £1m or more. Look it up and then feast your eyes on more works by Nevinson. His was a rare talent indeed.

Giving it the Hollywood touch

Few watches are as iconic as the Rolex Daytona – think at least £10,000, with prices rising to hundreds of thousands of pounds for the most coveted of all, a Paul Newman Daytona, a series of limited edition watches made as a tribute to the Hollywood Great, whose association with the brand stretches back decades. So what made competing bidders fight it out to $18 million (£13.6 million) for a Daytona in New York on October 26?

In short, the personal touch. This was the watch that Newman’s wife, Joanne Woodward, bought for him in 1969, during filming for Winning, in which he played an obsessive racing driver with Woodward as his onscreen wife.

The film gave Newman a taste for racing and he went on to take part in the Le Mans 24-hour race.

Newman had been injured in a motorcycle accident four years earlier and so Woodward had had the stainless steel watch inscribed Drive Carefully, Me.

When she bought him another new watch in 1984, Newman handed the Daytona Rolex to his daughter’s then boyfriend, who put it up for sale last month, with some of the proceeds heading for the Nell Newman Foundation, set up by Neman’s daughter.

A Hollywood idol, admired by men and loved by women; association with an iconic 1960s film linked to motor racing; a gift from a famous actress to her even more famous husband; and finally, an iconic brand in itself.

Auction consignments like this are once in a lifetime.

 

THE BONFIRE NIGHT STORY

More than 400 years on, we still burn an effigy of Guy Fawkes on our November 5 bonfires as we remember the Catholic plot to blow up King James I and parliament.

The plot nearly succeeded after a tip-off, which led to the discovery of Fawkes himself in parliament’s cellars, did not result in the conspirator’s arrest as he convinced the authorities that he was simply laying in firewood for the winter. It was only on the second search that he was caught making his final preparations.

Had the 36 barrels of gunpowder exploded in such a confined space, there is little doubt that they would have flattened not just parliament, but a significant area around it, with huge loss of life.

Around three years ago the earliest known written account of what happened came up for auction in London with an estimate of £40,000-60,000. Written by Secretary of State Robert Cecil, Earl of Salisbury, just four days after the plot was uncovered, the letter to Sir Ralph Winwood, the English ambassador at The Hague, includes a full account of the events. From this we can see how shocking and daring it all seemed at the time, and how that ensured a notoriety that would last throughout ensuing history.

THE SHAPE OF SUCCESS

Our recent sale of a Louis Vuitton leather box for £14,500 reminded me of how a simple idea can change the world. With Vuitton that simple idea was to change the shape of trunk lids from rounded to flat in the 1850s. While rounded lids allowed rainwater to run off, the trunks could not be stacked, so making the most of storage space on carriages, trains and ships was a problem.

Of course, Louis Vuitton’s success can be attributed to far more than this initial idea, but it is what got his brand going and it sparked many imitators.
In fact, such was the drive to pass other, lesser imitations off as Vuitton originals, even from the earliest days, that the company had to keep devising new branding to protect itself. First came the beige and brown stripes, then the Damier Canvas pattern with logo reading marque L. Vuitton déposée, and then the quatrefoils and flowers pattern, along with LV monogram, which largely did the trick.

Needless to say, the counterfeiters have struck back in recent years, but it says a great deal about the quality and standing of the originals that crooks put so much effort into creating imitations.

FINE ANTIQUE TWO DAY AUCTION – 5&6 OCTOBER

The excitement of this two-day sale was very much an extraordinary collection of Maori artefacts with an unbroken provenance dating back to their acquisition in 1837 by one of the earliest English missionaries to New Zealand.

The collection, is the remains of a larger shipment of artefacts sent back to England by Philip Hansen King (1813-80), son of John King, one of three lay missionaries sent on the first mission to New Zealand in 1814 under the direction of Samuel Marsden, the senior Anglican minister in New South Wales.

We received many pre-sale enquiries from the UK and overseas, as well as Radio New Zealand doing a big splash on this lovely story. People online and on the phone were all bidding for the individual Lots. Such was the enthusiasm of the bidders that one actually whooped with joy when he realised he had won the bid! It always makes this job fun and exciting when a bidding war ensues over something historical and with an interesting back story. The Maori collection, including Hei Tiki Green Nephrite and Lure Hooks, from early 19th century, fetched in excess of £48,000.

Some other highlights include an 18th Century two-division Tea Caddy inlaid with mother of pearl. With an estimate of £200-400, it fetched £3600. Also a small Louis Vuitton leather box, stamped Louis Vuitton, fetched a huge £14,500 with an estimate of £300-500.

On day two, The Marquis of Rockingham Silver, a superb collection of George II and early silver given to his chaplain Dr William Knowler as a gift in 1749, sold for £16,000.

Knowler, who was educated at St John’s College, Cambridge, graduated B.A. in 1720, M.A. in 1724, and LL.D. in 1728. On leaving Cambridge, he became chaplain to Thomas Watson Wentworth, then Lord Malton, who was created Marquis of Rockingham in 1746. Lord Malton had inherited the papers of his great-grandfather, Thomas Wentworth, earl of Strafford, and charged his chaplain with the task of publishing a selection from them. This appeared in 1739 under the title of ‘The Earl of Strafford’s Letters and Despatches,’ London, 2 vols. folio. They were selected, says Knowler, in the dedication he addressed to his patron, by Lord Malton himself, and published according to his instructions, in order to vindicate Strafford’s memory from “the aspersions of acting upon arbitrary principles, and being a friend to the Roman catholics”.

Also included in the sale was a silver and ivory paperknife, an inscribed gift from Oscar Wilde To Arthur Fish (his Editor). Dated 1890, it fetched £1100 plus premium.

The next Fine Antique sale will be 9th November. Details online nearer to the sale.